Marc is a podcaster, video producer, woodworking enthusiast, and author of the book Hybrid Woodworking. He has contributed articles and video content to FineWoodworking.com, Popular Woodworking Magazine, WOOD Magazine, and Woodcraft Magazine. He is also the host of The Wood Whisperer, an instructional woodworking video series that’s been going strong since 2006. He is also the owner and operator of The Wood Whisperer Guild and the Wood Talk Podcast. He has taught classes at the William Ng School, Marc Adams School, Weekend with Wood, Fine Woodworking Live, as well as Rockler and Woodcraft stores. He also speaks periodically at woodworking events like AWFS and IWF.
Matt is a classic log to furniture woodworker. In 2017 he made his own bandsaw mill and uses it to create massive slabs for himself and other woodworkers to turn into beautiful furniture. He started his YouTube channel in 2014 and has a large and dedicated following. His woodworking style ranges from modern to classic reproductions.
Matt has been a Guild instructor since 2016 and a co-host of the Wood Talk podcast since 2016. He travels to teach periodically at local Guild meetings as well as woodworking events like Woodworking in America. You can keep up with his antics on Instagram, YouTube, and his website.
Anne Briggs learned to love woodworking at her grandfather’s workbench as a child. Six years ago, upon moving to Seattle, Anne decided to begin pursuing woodworking seriously as a hobby, and her obsession grew quickly. Anne writes for Furniture and Cabinet Making Magazine and travels with Lie-Nielsen Toolworks’ Hand Tool Event staff to offer guidance for hand tool woodworkers interested in the craft. In 2015 she was hired as the Wood Studio Manager at Pratt Fine Arts Center to develop their woodworking education and artist access program. She has had features published about her in Wood Magazine, Modern Farmer, Flavorwire, Lee Valley and more. In January 2018 she resigned her position at Pratt so she could finish writing her book on preserving traditional craft and life rhythms, do more teaching, and to pursue her furniture building and educational content creation business full-time.
Darrell Peart started his career in the early 1970’s making and selling small wooden items at Seattle’s Pike Place Market. To broaden his experience, he then went on to work for various high-end custom shops throughout the Puget Sound area gaining an extensive background in both commercial and custom furniture making.
Exploring new design ideas is where Darrell’s passion lies. Although the influence of Greene and Greene can clearly be seen in his work – he draws inspiration from other varied sources as well.
Darrell also writes and lectures about design, woodworking, and the history of Greene & Greene. He has written articles for Home Furniture, Today’s Woodworker, Fine Woodworking, Woodwork, Popular Woodworking, American Woodworker, Woodworker West, Style 1900, British Woodworking, 360 Woodworking, The SAPFM Journal, and Australian Wood Review.
His first book, Greene and Greene: Design Elements for the Workshop, was published in April 2006 by Linden Press followed by his second book In the Greene & Greene Style: Projects and Details for the Woodworker, in 2013.
Johnny started Crafted Workshop in May of 2016 and he’s built countless projects since then. He loves making things with his hands but, when he’s not in the shop, Johnny also loves craft beer, playing music, and hanging out with his wife. Johnny took Crafted Workshop full time in July of 2016 and hasn’t looked back since! You can catch him on Instagram, YouTube, or his website.
Ashley lives in Charleston, SC, where she creates her work and teaches at her personal studio. She has demonstrated and taught woodturning in a number of professional venues throughout the US and abroad, visiting seven other countries and traveling as far as Australia. She has been featured in various publications including the American Association of Woodturning’s Journal, Woodturning magazine, Popular Woodworking magazine, and Charleston magazine. Her teaching focuses on fine spindle turning and the Push Cut method of bowl turning along with the 40/40 grind on a bowl gouge, with a strong emphasis on tool control. She received a BFA from Carnegie Mellon with a focus in sculpture and installation art, and her design aesthetic is heavily influenced by her background in glassblowing. Find out more about Ashley by visiting her website: ashleyharwood.net, on Instagram, or on Facebook.